As someone who ragged on Netflix relentlessly for years, I’ve gotta keep giving credit where credit is due: they have been been killing it with proprietary content lately. This time I’m here to rave about Emmanuel Mouret’s Lady J (aka Mademoiselle de Joncquières).
It’s based on the same Diderot story as Bresson and Cocteau’s collaboration Les Dames du Bois de Boulogne. A widow resists the advances of a womanizing Marquis until he eventually persuades her that his intentions are honorable. When he betrays her faith, she plots revenge by enlisting an unfortunate woman born to noble parents out of wedlock and her ethereal young daughter.
I love this movie. It scratched the itch that I hoped The Favourite would scratch. It’s got that “polite on the surface but oh so deliciously nasty and wicked underneath” Dangerous Liaisons thing going on. The Favourite was a near complete failure for me: the emotions are too close to the surface, it’s missing the tension that accrues when passions are left to seethe beneath oppressive social norms. And Emma Stone just doesn’t have the range to pull it off. Cécile de France, on the other hand, is a stone cold genius. She is immaculately perfect in this movie.
Another area where Lady J triumphs while The Favourite fails is
mise-en-scène. As I’ve said, The Favourite looks to me like shitty Barry Lyndon. Lanthimos just throws the camera down in the corner with a fisheye lens. Those compositions are neither pleasing nor interesting. Lady J, on the other hand, doesn’t waste a single shot. Every composition is purposeful. Every image is appealing. The use of sunlight is vibrant without being cloying. The blocking highlights the subtle brilliance of the acting and conveys overwhelming lust without ever being vulgar or heavy-handed. As a bonus, there are some delightful nods to Resnais’ Last Year at Marienbad. Rivette’s The Duchess of Langeais is another clear influence.
I am tempted to go on raving about how much I love this, but I think you’d be better served if I just insist that you go watch it. It’s a rare instance of a truly great costume drama.